A collection of over 100 18th-century portraits is on loan from the National Portrait Gallery
. The people in the portraits are some of the most influential figures of the era and Beningbrough is a setting where they would have felt very much at home.
Each year there are changing displays and this year you will find four of the principal rooms on the first floor tranformed to house the hall’s largest temporary display since opening in partnership with the National Portrait Gallery in 1979. See more about the current exhibition Making her mark: celebrating creative women
Other collections on display include porcelain and key furniture pieces, several from Holme Lacey, the ancestral home of the Chesterfields - the last private owners of Beningbrough.
The interactive galleries on the first and second floors of the hall bring Beningbrough's portraits to life. They are entertaining for younger and older visitors alike and are open throughout the year.
Here, you can explore both the sitters' and artists' part in creating a portrait, create your own 18th-century-style virtual portrait and email it home, search the entire National Portrait Gallery collection, dress-up and try your hand at sculpting.
Beningbrough Hall has superbly crafted details and decorative finishing both inside and out. William Thornton, a talented carpenter-architect from York, and his team, carried out some, if not all of the carving.
Fine craftsmanship can be seen in wood carving, plasterwork, wrought-iron work and elaborately carved magnesian limestone on the exterior door casings.
Looking after parts of the hall and collection is a daily task including conservation cleaning, managing footfall and light levels. Some of the rooms have dropped blinds during parts of the day to help preserve delicate fabrics and paintings. A dedicated team work year round to care for the fabric of the building and its contents - to keep safe hopefully for the next 300 years.