Skip to content

The Sarum Missal at Lyme

Looking at the Lyme Missal during Filming the Secrets of the National Trust with Alan Titchmarsh at Lyme, Cheshire
Looking at the Sarum Missal book during Filming the Secrets of the National Trust with Alan Titchmarsh at Lyme, Cheshire | © National Trust / Paul Harris

The Sarum Missal at Lyme is the only surviving, largely intact, book of its kind. Printed by William Caxton in Paris 1487, the book is unique in having belonged to one family for over five centuries and represents the changing religious views of the country during that period. The book was in the Legh family’s possession from at least 1503 until the National Trust purchased it in 2008. The Missal has been on display ever since.

What is the Sarum Missal?

Handwritten copies of the Sarum Missal were commonplace in early modern England. The text of the Mass was broken up into sections, each major book opening with an illuminated letter and individual verses with a blue coloured letter.

The body of the Mass was written in different coloured inks, fonts and sizes. Priests could then use this to navigate through the sections, without which the text would lose much of its meaning.

Binding and printing the Missal

The version on display at Lyme, however, was the first copy to be printed. It was produced in 1487 by William Caxton in conjunction with the printer Guillame Maynyal in Paris.

The Lyme Missal also shows the reaction to the Reformation in Catholic Cheshire. Henry VIII's edict in 1538 requested the obliteration of references to the Pope, the Church of Rome and the Catholic cult of St Thomas from all liturgical books. A lot can be presumed about the family from how they chose to censor their Missal.

Another important historical aspect of the volume is the rare survival of part of its original binding. Of the 60 Caxton books in the John Rylands Library, only two have parts of their original binding surviving. Many of these books were rebound in the 19th century.

The Lyme Missal was saved from this treatment by being carefully restored by the highly skilled and sensitive binder Francis Bedford.

The Sarum Missal at Lyme showing the initials of William Caxton who produced the book in 1487 in conjunction with the printer Guillame Maynyal in Paris.
The Sarum Missal at Lyme showing the initials of William Caxton who produced the book in 1487 in conjunction with the printer Guillame Maynyal in Paris. | © National Trust Images/Paul Harris

Who was William Caxton?

William Caxton brought the printing press to England. He was an apprentice in Cologne where he learnt his trade, setting up his first press in Bruges 1475 where he issued six books. In 1476 he returned to England and founded the country's first printing press.

From this press he issued several liturgical books, making connections with Catholic institutions. But, when it came to printing the Missal, Caxton didn’t have the skills needed to print in different colours, fonts and sizes.

He travelled abroad to team up with Guillaume Maynyal in Paris, who perfected the two-pull, two-colour printing technique. The Sarum Missal was the first book to be printed this way.

The Missal's connection to Lyme

Sir Piers Legh V, both a knight and a priest, bought the book and most probably used it to officiate services. It then lay forgotten and dormant after the Reformation until it was rediscovered by Peter Legh XII.

He repaired the book in the 18th century only for it to disappear again. In the 1870s it was then given pride of place in Lyme’s library until leaving with the family in 1946.

Where is the Missal at Lyme today?

The Missal has moved from the Library and is now on display in the Saloon, in a beautiful new case which allows 360-degree viewing of this precious book.

Visitors admiring the collections at Lyme, Cheshire

Lyme Park's collections

Explore the objects and works of art we care for at Lyme Park on the National Trust Collections website.

Our partners

Heritage Fund

Inspiring, leading and resourcing the UK’s heritage to create positive and lasting change for people and communities, now and in the future.

Visit website 

You might also be interested in

Grand house with columns reflected in a lake and surrounded with autumn trees at Lyme Park, Cheshire
Article
Article

Visiting the house at Lyme 

Step inside the house and discover unusual objects and strange secrets as you walk through six centuries of family history at Lyme in Cheshire.

Daffodils in the Italian Garden at Lyme, Cheshire
Article
Article

Explore the garden at Lyme 

Explore all the different areas of the garden at Lyme. This winter appreciate the formal geometry around the house with straight edges, columns of yew and clipped hedges demonstrating man’s dominance in comparison to the wild moors and parkland beyond.

Painting on display in the Upper Gallery at Anglesey Abbey, Cambridgeshire
Article
Article

Introducing our remarkable collections 

See the breadth of our collection of works of art, furniture and more: we care for around a million objects at over 200 historic places, there’s a surprise discovery around every corner.

Man and woman looking at large historic globe in gallery lined with Greco-Roman statues
Article
Article

Celebrating 125 treasures in our collections 

Discover the stories behind some of the greatest artworks and artefacts looked after by the National Trust, as told in a dedicated book, 125 Treasures from the Collections of the National Trust.

Sevres Wine Cooler, showing nymphs worshipping the bust of Pan, from a service made for Louis XVI, dated 1792, in the Porcelain Lobby at Upton House, Warwickshire

Art and collections 

The art and heritage collections we care for rival the world’s greatest museums. Learn more about the collection of paintings, decorative art, costume, books, household and other objects at historic places.