Curator's blog

Emile de Bruijn has been looking at East Asian influences on two European tapestries at Belton House in Lincolnshire. Here, he reflects on how it pays to think like an artist when looking at the way one culture interprets another.

Our Project Director, Dr Kent Rawlinson, reflects on the fascinating challenges and discoveries we've uncovered so far as we care for this extraordinary house.

In 2020, after a career spanning three decades, Christine (Tina) Sitwell, Paintings Conservation Adviser, retired from the Trust. Before her departure, she spent time with her successor, Rebecca (Becca) Hellen, who took up the post amid the first national lockdown due to the global health pandemic. As Becca recounts, picking up the torch from Tina has been a fascinating yet nonetheless ...

Anna Forrest is a curator in the East of England. She has worked at many historic houses in the region but there is one place that has captured her imagination (and heart) more than any other - Oxburgh Hall in Norfolk. Here she describes the highs and lows of working on a complex project at Oxburgh throughout the unprecedented events of spring and summer 2020, and some of the exciting ...

Head Curator Sally-Anne Huxtable explains how she became smitten with the ceramics of William De Morgan, and why she particularly loves his peacock design on a bowl at Standen House, West Sussex.

Simon McCormack, curator at Nostell, West Yorkshire, takes us into a miniature world and explains what it's like to look after one of the oldest dolls’ houses in the country. Dating from the 1730s, Nostell’s dolls’ house is one of only a handful surviving from the 18th century. A grand mansion in miniature, full of intricately crafted objects, the dolls' house is a microcosm of a real-sized ...

Frances Bailey is our Lead Curator for Northern Ireland. One of her favourite objects in the collections she helps care for is the 19th-century microscope Mary Ward of Castle Ward was given as a teenager. Not only does it remind her of her own childhood gift, but the microscope had a profound influence on Mary and her future achievements, as Frances explains.

Maria Jordan is Studio Manager of our Textile Conservation Studio at Blickling, Norfolk. It is our only specialist in-house textile conservation treatment facility and is tasked with caring for the over 150,000 individual items in our textile collection. One of Maria's first tasks when joining the studio was conserving some of the oldest and largest tapestries we care for – Hardwick Hall’s '...

Kate Bethune, one of our regional curators in the South West, works on many different projects throughout the year, across lots of different properties. One of her favourites this year was part of our national People's Landscapes programme of events, celebrating the role that the places we care for have played in social change. Paint Freedom, a community art project, was held at one of the ...

The libraries at our places are of particular interest to Hannah Squire, Assistant Curator for National Public Programmes. In recognition of Banned Books Week, a nationwide campaign to celebrate the freedom to read, Hannah takes a closer look at a number of books in the library at Sissinghurst Castle Garden in Kent and explores the ways in which Vita Sackville-West challenged accepted ...