Who were the Pre-Raphaelites?

Though they called themselves a brotherhood, the circle grew to include female artists as well, including the pioneering photographer Julia Margaret Cameron, poet Christina Rossetti, and Elizabeth Siddal: Rossetti’s wife, muse, and a painter in her own right.

Over the next few decades, Pre-Raphaelitism grew from an exercise in youthful idealism into a mature artistic movement with a socialist edge.

Art and industry

Merchants and industrialists were great patrons of the Pre-Raphaelite painters. As today, the very wealthy were interested in supporting the most exciting, cutting edge art of the time.

Their interest in the movement seems at times to be at odds with their work – the imaginative and natural against the scientific and mechanical. Art provided the artists a retreat into the beautiful, an escape from the utilitarian ideology of the modern world.

Some of the artists began to experiment with older techniques of craftsmanship, most notably William Morris, whose decorative arts company sought to celebrate the handmade and unique in an age of mass-production.

Progressive painters

Though often criticised for being backward looking, with an interest in ‘primitive’ artistic styles, the Pre-Raphaelite’s efforts to include contemporary social issues in their works and break down the barriers between literature and art was radical for the time.

Trusted Source

This is a Trusted Source article written by Jessica Davidson in affiliation with the University of Oxford. Jessica is a Teaching Fellow in British History at the University of Keele.