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The Grand Tour Exhibition

Published:
01 May 2026
18th - Century map of Europe
18th - Century map of Europe | © Adobestock

The current temporary exhibition at A la Ronde, on the theme of ‘The Grand Tour’ is on display upstairs in the house from 3rd March to 1st November. The full story of the Parminter Grand Tour, examples of souvenirs the group brought back, and an 18th century travel book are on display alongside a playable Grand Tour board game.

The Grand Tour was seen as a rite of passage for upper class young men. It served as an immersive education in art, architecture, and continental sophistication. Women also undertook these journeys, but a few as independent travellers.

In the 18th century, the Grand Tour was considered to be the best way to complete a gentleman's education. Young aristocrats travelled to the cities of Europe, usually beginning in Paris and then moving south to Spain or Italy where they visited the ancient classical sites. In this group portrait, The Hon. John Tollemache (1750-1777), son of the 4th Earl of Dysart of Ham House poses with his friends. The setting with classical ruins is indicative of their new learning.
A male centric depiction of gentlemen on the Grand Tour, painted in 1773. | © National Trust

On the 22nd June 1784, Jane Parminter, her sister Elizabeth, their cousin Mary, and another companion, perhaps Louisa Comebrune a distant relative set off on their own tour. Their experiences abroad would later inspire the design and spirit of their future home.

Silhouette, painted, Jane Parminter, Elizabeth Parminter, Mr Frend, John Parminter and Mrs Frend by Francis Torond (1742-1812). A Parminter family group, labelled on reverse (see D/17b) 'A family piece taken when living in Greville Street, London in the year 1783. My cousin Mrs Jane Parminter watering a stage of plants. Miss Elisabeth Parminter her sister netting - Mr Frend reading. Mr John Parminter her brother playing on a mandolin and Mrs Frend her sister playing on the Harpsichord'. Painted by Francis Torond (1742-1812)
• The only depiction we have of Jane Parminter is this silhouette. Jane is on the left watering plants and Elizabeth is second left with the bobbin winder. This silhouette was drawn in black and white ink by Francis Torond (1742-1812), a Huguenot refugee from France. | © National Trust

On 23 June 1784, the party embarked from Dover aboard a Packet Service ship carrying mail, freight and passengers. Jane describes the crossing in her diary:

“arriv’d at Calais half after three, a most charming passage; sick twice but did not spoil my enjoyment”

The party explored Abbeville and Chantilly, followed by a week in Paris. Their itinerary included stops at the Tuileries Gardens, Les Invalides, and the Gobelins Tapestry factory.

In the summer of 1786, the party undertook an extraordinary feat; they climbed Mont Buet, a 3,096-metre peak in the French Alps. Their sister Elizabeth, unwell at the time, stayed behind. Later recognized as the first recorded female ascent of any mountain above 3000m, their efforts went largely unnoticed until a 1957 article in the ‘Alpine Club Review’ by Gavin de Beere.

Mont Buet is shown here in Summer although it was deep snow when the party climbed.
Mont Buet is shown here in Summer although it was deep snow when the party climbed. | © Adobestock

Contemporary Alpine historian Marc-Théodore Bourrit described their ascent,

“Three English ladies (Miss Parminters) have mounted the top of Buet… they were four hours passing over the snow before they arrived at the summit.”

Guided by M. Berenger and Jean-Baptiste Lombard, the climb was arduous, with Bourrit noting unusually heavy snowfall. Their success was exceptional—not only for its physical demands, but for defying the social norms of the time. In an era when mountaineering was still in its infancy, nearby Mont Blanc was only summited for the first time that same year.

The route beyond Dijon is unknown, however, family story suggests that the party continued south, inspecting Italy, Germany, Switzerland, and possibly Spain and Portugal.

Family tradition suggests the design of A la Ronde was inspired by the church of San Vitale in Ravenna, famed for its dazzling 6th-century mosaics. In the 18th century, poor roads meant Ravenna could only be reached by boat from Venice.

Family tradition suggests that the 6th century Chapel of San Vitale in Ravenna partly inspired the design of A la Ronde
Family tradition suggests that the 6th century Chapel of San Vitale in Ravenna partly inspired the design of A la Ronde | © Adobestock

We don’t know precisely when the group returned. Jane was back in London by June 1791 to oversee the administration of Elizabeth’s will.

Jane and Mary Parminter looked to settle near to their family in Devon and purchased 20 acres of farm land outside of Exmouth in November 1796. They built a home that reflected their tastes and values, developed on the continent.