Behind the scenes of Belgravia

You may have read the 2016 novel Belgravia by Julian Fellowes (creator of Downton Abbey), but did you know that it was partially inspired by two places we look after: Attingham Park in Shropshire and Montacute House in Somerset?

Things have now come full circle as a new six-part adaptation of the story airs on ITV from 15 March 2020, with several other places in our care taking a starring role.

Belgravia is a story of secrets, scandal and family ties amongst London society in the 19th century. When the upwardly-mobile Trenchards accept an invitation to a ball hosted by the Duchess of Richmond on the fateful eve of the Battle of Waterloo, it sets in motion a series of events that will have consequences for decades to come.

Several of our locations appear in the new TV adaptation of the tale: providing settings for business offices, lavish family homes, and even a working cotton mill.

Alice Eve and Tamsin Greig on set of Belgravia at Basildon

Basildon Park, Berkshire

This beautiful 18th-century manor house was rescued from demolition in the 1950s by Lord and Lady Iliffe, which was lucky as it now provides the perfect location for the interiors of the Trenchards’ London home. Fans of period drama might also recognise it as Netherfield from Price and Prejudice (2005).

Exterior of Ham House viewed over the cherry garden

Ham House, London

Ham House is no stranger to a bit of drama, having weathered over 400 years of turbulent history, including the Civil War. For Belgravia Ham was transformed into the Brussels office of James Trenchard, from where he makes his fortune as a major supplier to the Duke of Wellington during the Napoleonic Wars.

Naomi Frederick on set of Belgravia at West Wycombe

West Wycombe, Buckinghamshire

No stranger to the silver screen, West Wycombe’s opulent interiors were the idea stand-in for the Duchess of Bedford’s London townhouse in Belgravia. Keep an eye out for the Music Room which was transformed for an afternoon tea party – a custom that was first popularised by the real Duchess of Bedford.

Video

Filming Belgravia at Quarry Bank

As one of the best-preserved textile mills of the Industrial Revolution, Quarry Bank was the perfect location to play Girton’s Mill in Belgravia. The filmmakers made use of the historic mill floor where the powerful spinning machines still turn, and the looms weave. They also filmed inside the Apprentice House and around the yard, bringing the bustle of the Industrial Revolution to life on our screens.

A chat with Julian Fellowes

As well as starring in the series, places in our care also inspired locations in the original novel of Belgravia. We caught up with Julian Fellowes when it was first published to discuss the story, and where he gets his ideas from.

Downton Abbey was set during an exciting time in history and kept viewers hooked with each episode. Is Belgravia similar?

Belgravia was first published in installments, a very popular Victorian practice, with the Prologue and 10 weekly chapters released on an immersive app, each ending with a cliffhanger. I wanted to start the novel with a very famous social event. I chose the Duchess of Richmond’s ball in 1815, which was held in Brussels, where some of the Allied troops fighting Napoleon were encamped. Napoleon was marching from Paris, and by the night of the ball he was on the doorstep. Many of the guests at the ball were young officers, so they had to leave at once to go to their regiments. They fought the battle of Quatre Bras the next day, which turned into Waterloo, and a great many of them were killed. So you have this tragic moment where several of the young officers found dead on the field were still in their parade uniform, their evening dress, for the Duchess’s ball.

What do you find so compelling about the 19th century?

It was a period of tremendous social change. There were huge advances in all areas – everything was changing – and new fortunes meant that new people were entering high society. Half the peerage dates from this time, but they preferred it to be veiled in historic charm, as if it were all part of ‘good old England’. It seemed a good setting for the novel, which in one sense is about the rivalry between the new and the established order. Everyone is tussling away to get control of their lives; that’s what novels are about.

Several settings in Belgravia are based on National Trust places – why?

The Brockenhurst family home is based on Attingham in Shropshire. Attingham is a self-conscious statement of social importance, with the fashion of the great porticos, the great drawing rooms. It’s very charming and light-hearted but still grandiloquent and a little self-important. It is a proclamation of the importance of the family. The Trenchard family estate is based on Montacute, in Somerset, which is more a proclamation of the enduring qualities of a family.

What particularly inspired you about Montacute?

One of the reasons that Montacute is emotionally powerful is precisely because the Phelips family, who built the house and lived here for over 300 years, were not giant stars of their day. Had they been, they probably would have greatly altered the house. Instead, very little has been changed, so Montacute has never lost touch with its roots. You can still see the original, early Elizabethan house. I think there is something about those enduring values that survive so much – civil war, both world wars – and somehow here they still are, with the sun dappling the hall floor. Those values, and the very presence of the house, give one a sense that we all belong to a kind of continuum if we so choose.

What role do you think the National Trust has to play in looking after places like Montacute and Attingham?

I think it has a very important part to play. In the early 20th century, the Trust recognised that the natural caretakers of these buildings  – over many centuries before then – had been the landed classes who were on the brink of losing their social muscle, their political power, and, not to put too fine a point on it, their money. The Trust worked with the private owners because together these two groups had to hold the line for all this during those very difficult years. They have brought a big, very emotive part of Britain’s heritage through to the present day. I think the British are very aware of the country-house culture now and what they have to gain from it. One of the developments in recent years, and I would like to think I’m part of that with Downton, is that people are aware that their forebears are involved in the country-house tradition because they were the people who ran them. The Trust has responded by displaying the kitchens, the servants’ hall and so on – which the public want to see.

This article originally appeared in our members' magazine in 2016.

The west drive at Montacute

Montacute, Somerset

This beautiful Tudor manor house has barely changed since it was completed in 1601, so it’s no surprise that it’s a favourite of history-lovers. From its awe-inspiring golden exterior to the historic Long Gallery and intricate gardens, it’s not hard to see why it inspired the Trenchard’s country estate.

View of the front of the Mansion at Attingham Park

Attingham Park, Shropshire

Owned by the Berwick family for over 160 years, Attingham charts their rising and falling fortunes - from the flashy but flawed Picture Gallery that contributed to the bankruptcy of the second Lord Berwick, to the careful restoration work started by the eighth Lord and Lady. It’s the ideal home for the Brockenhursts, who experience their own trials and tribulations in Belgravia.

Juliet Stevenson

Get a sneak peek of Belgravia 

Want to get a taster of the story? Listen to an extract of Julian Fellowes' gripping historical drama, brought to life by award-winning actress Juliet Stevenson.