The Woman's Hour Craft Prize at Mottisfont
This event happened in April - June 2018 and has now finished.
The Woman’s Hour Craft Prize celebrates the possibilities of using particular crafts and skills in different ways.
29 expert judges whittled down over 1500 applications to select the 12 finalists on show. Phoebe Cummings was selected as the winner, announced on 8 November 2017. Mottisfont is one of the first locations on a country-wide tour of these fascinating works.
" The twelve Woman’s Hour Craft Prize finalists embody the vibrancy, energy and ingenuity of contemporary craft. The expert jury’s already high expectations were surpassed by the astonishing quality of entries, making for some intriguing debates and challenging decisions."
Works on display include three pots by Alison Britton, whose 40 year career has consistently challenged traditional notions of ceramics; and an installation by Neil Brownsword on china flower-making, one of the few remaining methods of mass-production reliant on manual dexterity.
A dissolving fountain made from raw clay by Phoebe Cummings, inspired by a Meissen table fountain in the Museum, was chosen as the winning piece. Due to the temporary nature of the work, our exhibition will include an element of the original piece and a short film of the work.
Caren Hartley and Lin Cheung both trained in silver-smithing and jewellery design, yet Hartley’s showcased work is a handmade bespoke bicycle and Cheung, known for her design of the 2012 Paralympic medals, exhibits her Delayed Reactions series of politically-inspired pin badges.
Celia Pym’s beautifully darned textiles speak directly to human experience by bringing the value of mending into the spotlight. In a nod to her previous training as a nurse, Pym shows two darned sweaters, which once belonged to a GP and an intensive-care nurse.
The Woman’s Hour Craft Prize exhibition also highlights the endless possibilities of the interpretation and use of a particular material. Emma Woffenden showcases three new conceptual glass sculptures with mould-blown and free-blown elements, which reflect her observations of human behaviour.
Andrea Walsh uses glass to explore ideas of containment, and will be showcasing a series of boxes made from bone china and glass, inspired by a visit to Japan.
Romilly Saumarez Smith’s pieces transform the stories contained in discarded everyday objects. For this exhibition she incorporates finds including Tudor glass, old buttons and an Anglo-Saxon ring into 18th century inspired snuff boxes.
Laura Ellen Bacon, who works with willow and other natural materials, created a striking monumental sculpture.
Some of the artists shortlisted for the Prize consider themselves loyal to no specific craft or label. Peter Marigold’s output ranges from furniture design to public art projects. His shortlisted pieces from the ‘Bleed’ series are based on his interest in movement and decay.
Laura Youngson Coll, who has trained in both sculpture and bookbinding, creates sculptures influenced by the marine environment, made from vellum. Her chosen pieces are inspired by the nineteenth century biologist and philosopher Ernst Haeckel.
About the Prize
The Woman’s Hour Craft Prize is a collaboration between the Crafts Council, the V&A and BBC Radio 4. The most comprehensive of its kind, the prize was established to find and celebrate the most innovative and exciting craft practitioner or designer-maker resident in the UK today. It rewards originality and excellence in concept, design and process, recognising makers who have demonstrably contributed to craft practice in the last five years. Ceramicist Phoebe Cummings was named the winner on BBC Radio 4’s Woman’s Hour broadcast live from the V&A on 8 November 2017. She was awarded a prize of £10,000.