Well respected for her knowledge of the contemporary art scene, Maud supported the work of many artists, and some became her very intimate acquaintances. She enjoyed the company of creative people, entertaining artists such as Rex Whistler and Ian Fleming here.
As the Russell’s weekend retreat, Mottisfont was never grand but it was always comfortable. Maud ensured her guests were able to relax and enjoy themselves with lazy breakfasts and cocktail parties.
Maud’s eye for design
Maud came here with her husband Gilbert Russell and their two sons in 1934. She used her keen eye for aesthetics to oversee the reconfiguring and redecoration of the house, which had fallen into disrepair.
She was inspired by the existing historic décor, developing and enhancing it where she could. Complementing this is her love of neo-classical design which created the luxurious, classical feel that’s still on show today.
The Whistler Room
In 1939, she commissioned Rex Whistler to transform the original entrance hall into a large saloon. The results were his spectacular trompe l’oeil murals, painted in a gothick style, light-heartedly reflecting the building’s origins as a mediaeval priory.