Maud Russell's influence
Maud Russell and her husband Gilbert purchased Mottisfont in 1934. She was the daughter of German immigrants, who settled in England in the late nineteenth century. Lively and beautiful, Maud was greatly drawn to both the work and the company of creative people, and invited many contemporary artists, writers and designers here for weekend retreats.
Modernising Mottisfont
When the Russells first purchased Mottisfont, the buildings were in a state of disrepair. They modernised the house and estate, and it became a place for extravagant house parties held for their literary and artistic friends.
Under Maud's guidance, rooms were reconfigured and redecorated. The overall look was Neo-classical and luxurious, with faux marbling and pastel shades. While much of her furniture and personal possessions are now gone from the house, Mrs Russell's spirit is undeniably present in the look and feel of the house today.
It's a playful house, with lots of secrets to discover. Look out for:
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Two mosaics by Russian artist Boris Anrep: a small panel above the doorway in the Red Room representing the Holy Trinity, and one on the south elevation of the house, which depicts the figure of an angel bearing a very strong resemblance to Mrs Russell.
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A ‘secret’ panel in the Yellow Room which reveals a hidden part of the old priory building
The Whistler Room
Just before war broke out in 1939, Maud Russell transformed the original entrance hall into a large saloon. Rex Whistler was commissioned to create a unique backdrop for Mottisfont’s glamorous guests. The results were his spectacular trompe l’oeil murals, light-heartedly reflecting Mottisfont’s medieval origins.