The house at Mottisfont

Armchairs and sofas before a fireplace in the Morning Room inside Mottisfont, Hampshire

An 18th-century building with a medieval priory at its heart, the house was transformed into a comfortable, neo-classical home in the 1930s.

Please note: the house will be closed from 30 May - 3 July inclusive.

A house transformed

Originally founded as an Augustinian priory in 1201, the house has seen a number of transformations over the last 800 years, shaped by its many and varied owners. Now it reflects the life and passions of Mottisfont’s fascinating last owner, society hostess and arts patron Maud Russell.

Maud Russell and her husband Gilbert purchased Mottisfont in 1934. She was the daughter of German immigrants, who settled in England in the late nineteenth century. Lively and beautiful, Maud was greatly drawn to both the work and the company of creative people, and invited many contemporary artists, writers and designers here for weekend retreats.

Modernising Mottisfont

When the Russells first purchased Mottisfont, the buildings were in a state of disrepair. They modernised the house and estate, and it became a place for extravagant house parties held for their literary and artistic friends.

Under Maud's guidance, rooms were reconfigured and redecorated. The overall look was Neo-classical and luxurious, with faux marbling and pastel shades. While much of her furniture and personal possessions are now gone from the house, Mrs Russell's spirit is undeniably present in the look and feel of the house today.

It's a playful house, with lots of secrets to discover. Look out for:

  • Two mosaics by Russian artist Boris Anrep: a small panel above the doorway in the Red Room representing the Holy Trinity, and one on the south elevation of the house, which depicts the figure of an angel bearing a very strong resemblance to Mrs Russell.

  • A ‘secret’ panel in the Yellow Room which reveals a hidden part of the old priory building

The Whistler Room

Just before war broke out in 1939, Maud Russell transformed the original entrance hall into a large saloon. Rex Whistler was commissioned to create a unique backdrop for Mottisfont’s glamorous guests. The results were his spectacular trompe l’oeil murals, light-heartedly reflecting Mottisfont’s medieval origins.

Rex Whistler's detailed, deceptive murals are one of Mottisfont's most fascinating sights
A detail of Rex Whistler's murals in the saloon at Mottisfont, Hampshire
Rex Whistler's detailed, deceptive murals are one of Mottisfont's most fascinating sights

Despite appearances, there are no columns, ledges or moulded plasterwork in this room, the walls of which are so cunningly painted that they appear to have all these gothic decorations. Take time to look closely at these finely detailed paintings and see what you can spot.

This extraordinary room was his last and finest piece before he was killed in active service in France. Tucked high in one wall is a poignant, secret message from the artist, painted just before he left.

Painted trompe l'oeil murals and decorative curtains in the Whistler Room at Mottisfont, Hampshire

Restoring the Whistler Room curtains 

The curtains in our celebrated Whistler Room are part of Maud Russell's original design scheme, created by Rex Whistler. But these original furnishings are deteriorating rapidly. They have been taken down for an intensive programme of repair and restoration, which will take up to five years to complete.


The Red Room

We currently have a display of Joan Eardley work in the Red Room. She is best known for her portraits of Glaswegian tenement children and for her remote land and seascapes of rural Scotland. Here at Mottisfont we have three of her paintings from the Derek Hill collection which are on display in recognition of the centenary of Eardley's birth. 

Scottish painter Joan Eardley (1921-1963)

Joan Eardley Display at Mottisfont  

Discover the work of Joan Eardley (1921 - 1963) in the Red Room here at Mottisfont. From 19th May 2021, three of Eardleys works in the Derek Hill collection will be displayed together, for the first time ever, as part of a nationwide celebration to mark her centenary.

Keeping you safe

The safety of our visitors, volunteers and staff remains our top priority. We'll continue to provide hand sanitiser and stick to our high standards of cleanliness. Wearing a face covering is a personal choice, although they are recommended in crowded and enclosed places.